Lynn Sloan
  • Home
  • Books
    • This Far Isn't Far Enough
    • Principles of Navigation
  • Media
  • Photographs
  • News
  • About

Rub Two Sticks Together to Create a Spark, from WRITER'S DIG

3/10/2018

 
Picture
Picture
To read more, click:

Guest post on The Next Best Book Blog

3/7/2018

 
Picture
Downsizing a personal collection of books is not an easy feat for a booklover. More accuractely, it is probably a task that most booklovers procrastinate at or avoid at all costs! Just the thought of removing books from my shelves to place into storage bins gives me anxiety... let alone contemplating CULLING any.

Today, we welcome Lynn Sloan, author of the recently released This Far Isn't Far Enough, to the blog as she shares her recent experience with doing just such a thing. To read click:
Picture

Essay published on Marylee MacDonald's site for writers

2/16/2018

 
Picture
Picture
To read click here.

Interview with Richard Hawley, NECESSARY FICTION

6/7/2016

 
Lynn Sloan: The Three Lives of Jonathan Force (Fomite Press, February 2016) is a big novel, one that tells thestory of one man’s life from beginning to end, a project that took you decades to complete. Over the years, you’ve published portions as single short stories and a volume of linked stories. You considered publishing Jonathan’s story in three separate novels, finally settling on one novel that includes three books. Can you recall the very first moment you decided to embark on this vast project that has taken so many turns?
Richard Hawley: I’m not sure I can identify an actual trigger moment that started me on this project. But about twenty years into my work teaching and coaching and counseling in a boys’ school, contending with all that unfurling, I knew I wanted to capture the essence of it. My first impulse was to celebrate all that energy and
impulsiveness and uncool striving, but at the same time something like grief was at work: grief that circumstances, including the requirements of schooling, were chafing the boy-ness out of the boys. This realization, part wonder, part guilt, carried me back to my own boyhood and schooling — and, literally everything came back. So I guess the genesis of this book is the moment I realized I no longer wanted to shape or improve the boys, but instead to be an alert, appreciative witness to what was most alive in them.
Picture
Photo by M.A. Watson
Picture
Fomite
Lynn Sloan: When did the idea to be an “alert, appreciative witness” to boys’ “unfurling” — great word — expand to include the entire arc of a man’s life?

Richard Hawley: I have been immersed in boyhood — both in the boyhood exuberantly close at hand in my work and in the reconsideration of my own — throughout the course of my adult life. I followed what might be called the maturation of many of the boys I knew into what seemed to me impostures: credible approximations of what the civic order might expect of a business executive or an attorney, of a club-able suburbanite, of a family man. These poses were assumed with what seemed like terrific psychic effort. There was an unease about these outwardly successful men, nothing that felt to me like happiness. Observing this was of course an invitation to examine my own adaptations and compromises, which was revelatory. It helped that beginning in middle life I was reading a lot of Jungian writing. One writer, Robert Johnson, is especially good on the deep nature of masculinity and femininity. One of his books, Transformations, proposes that there are three stages of a fully realized man’s life. In the first the boy — every boy — is a kind of spirited fool, like the eponymous Parsifal of legend or Don Quixote. Such boys can inspire and energize others but they are not quite in the real world. Boys who grow past this condition, young men who become practically shrewd and “real,” tend to make their way intellectually and materially, but in forsaking their boyhood illusions, they lose heart. They become jaded and world-weary, like Hamlet. But Hamlets can transcend this condition, Johnson maintains, if they have the courage to put aside their certainties and follow insistent urges, even dark ones, to a fuller realization of who they are and their place in the world, like Goethe’s Faust. I am an old man now, and this trajectory makes sense to me. I wanted to tell such a story in The Three Lives of Jonathan Force. And while I believe all of us live something like discrete, successive lives, there is in my case, and in Jonathan’s, the unifying force of boyhood, burning like a steady fuse for as long as we live.
​
Read More

Five in Bloom: Writers' Advisory

7/10/2015

 
Picture
by Juhi Singhal Karan
We asked five bloomers for the best, the most helpful piece of writing advice that they’d received. Here in their own words is the bit of writing wisdom that has stayed with them over the years.
Lynn Sloan
About 25 years ago, when I confessed to my intense activist friend that I wanted to write stories, instead of saying “how silly” or “the world doesn’t need more fiction,” she said, “Read this:” Becoming a Writer, by Dorothea Brande, originally published in 1934, and reclaimed from history’s dustbin in the ’80s by John Gardner. I dove in. Brande asserts that the writer needs to recognize that she has two sides: the child-like enthusiast, who is intuitive and sensitive, and the elder critic, who is discerning and knowledgeable. The enthusiast believes her ideas are fresh and exciting, that her writing is important. The elder doubts it. She points out the many problems. The two neither like nor trust one other. Keep them apart, says Brande. A writer should give full rein to the enthusiast, believing in every word she sets down, then call in the elder for revision. Again and again.
Separate these two sides of writing—this advice freed me. Wanting to retrieve Brande’s exact words, I searched my shelves, but her book is gone. I hope I passed it on to a beginning writer.

A Page a Day

3/13/2015

 
Picture
Picture
​April. It shouldn’t snow in April, but I was stuck in a snowstorm in evening rush hour traffic on Chicago’s Lake Shore Drive. Ahead, four lanes of red taillights crept up the rise at Belmont and disappeared. I’d left my office at the college half an hour late, and with this traffic I was going to be much later than I’d promised my unforgiving babysitter. My husband and I shared the relieve-the-babysitter-and-start-dinner shift, but he was out of town. By the time I got home she would be seething and our kids would be bouncing off the ceiling. Trying not to think about that or the depressingly long to-do list I’d left un-done at school or the short story I was trying to write that had a huge logic gap in the middle, I flicked on the radio and merriment filled the air. Bright piano jazz, a woman’s spritely laugh, a man’s chuckle. Radio, the opiate of the commuting masses. Thank goodness.
…as a writer? Deep, rough male voice.
Had I lucked into a talk show about writing? I loosened my grip on the steering wheel.
Do you find it hard to be productive? the man went on.
Not at all, the woman answered with a laugh.
So she was the writer.
Read More

Shoes: A Story

1/10/2013

 
Picture
Picture

​ALVINA LEDBEITER needed a new pair of shoes. Not that anyone would see them in her< she still had a few occasions where she wanted to look sharp before she laid her head on a s, for all Eternity. Duke Crocker's ninety-third for starters where she intended to outshine tha widow- ladies who believed he had one more wedding in him. Alvina might be a widow-lad
) she was no such fool.
"Always dress your best when going shopping or to the emergency room," as Momma used 1 Alvina donned her smart, navy suit and her only black heels that were just about shot, then her white hair, fluffing that patch right at the back that her neglectful friends usually missec women had to be so careful-and put on her face. Without a dab of Fire & Ice she almost disappeared.
Halloran's smelled to high heaven of perfume. Waving off the ghouls with perfume spritzers, she made her way to Shoes, which was as pretty as she remembered, all beige and soft lights and elegant women drifting among spotlit islands and dark-suited clerks bearing shoeboxes. She walked past the displays of glorious high heels to the back corner where on a glass shelf sat the sensible black shoes with two-inch heels. The wallflowers. It had come to this. She picked up one with a gold buckle that proclaimed, "I may be dull, but I'm expensive and Italian," and looked around for a sales clerk. All were as busy as chipmunks, except for those two fat girls. Surely Halloran's hadn't hired girls too fat to bend over as shoe clerks? She carried the Italian number to the lane the clerks took to the storeroom, and waited.
"Sir?" "I'll be right back." "Sir?" "I'm with a customer." "Can you help-" "I'll send someone over." "Excuse me-" "I'm busy." "Can you get this for me in a size .... " The last one didn't The last one didn't even pause. Halloran's had certainly gone to the dogs.
She surveyed the room. By the entrance, a young woman appeared—well, they were all young compared to Alvina. This one had wavy blonde hair just like the weather girl on Channel 7 and the kind of tan that came in a bottle. A hush fell over Shoes as she wafted over to the designer display.
Behind Alvina came a whoosh, a clerk hurrying from the back.
"I would like to try—" Alvina said, but the little man raced toward the girl. Other salesmen— where did they come from?—converged on the blonde, but the clerk who'd almost knocked Alvina down got there first. "May I help you?" he breathed.
The others turned away, defeated. One of the disappointed strolled by Alvina and she asked if he might help her. "Going on break." The others vanished or returned to the customers they'd abandoned. Across the expanse of luxe, beige carpet, the Weathergirl handed a silver sandal to the unpleasant little man. He bowed, an honest-to-goodness bow. Alvina let her disgust register on her face when he tried to bypass her on his way into the storeroom. She jutted out her arm and clipped him with the shoe.
"Size 6."
Without a word, he took the shoe and turned away. Within the tangle of dyed hair at the back of his head she saw a shiny black patch, like patent leather. He must have painted his bald spot. Who did he think he was fooling? Sharpie pens left an iridescent sheen. She looked down and saw the telltale pinky-purple streaks where she'd touched up her shoes. Embarrassed, she glanced up hoping no one had noticed. Every pair of eyes was admiring the Weathergirl as she settled in a plush chair. The very air sighed as if Loveliness herself had alighted in Halloran's shoe department.
"Size 6. "
The vain little man thrust a shoebox at Alvina, then adjusted the remaining boxes and scurried to the Weathergirl, where he knelt and spread out his offerings around her feet, the little toady.
Churning with annoyance and humiliation, Alvina found a bench and sat. Surely one of the clerks would jump, seeing that she was a good bet to buy something. Surely they worked on commission. But no one paid her a speck of attention, not even those two fat girls. She stared at them, then at the pimply fellow straightening the ankle boots, who rushed toward a newcomer laden with shopping bags. All the other clerks kneeled and opened boxes and hurried to the storeroom and back. She could wait until Kingdom come. No one was going to slip off her worn-out pumps with the pinky-purple streaks and guide her feet into the expensive Italian pair in the box on her lap. She sighed and opened the lid, slipped on one, it fit, then the other. They practically kissed her feet. She strolled to a mirror—her ankles looked no worse than Queen Elizabeth's—then walked toward the bent-over toady, and said, "When you have a moment...."
He adjusted his position to block her, and the Weathergirl didn't lift her gaze from the mile-high sandals lashed to her perfect ankles. Alvina might just as well be invisible.
"When you're free, if you could...."
He shifted again, making a show of ignoring her.

Alvina glared at his back. She should say, "Is that Sharpie ink on your bald spot?" Instead she retreated to where her old pumps leaned dejectedly next to the empty shoebox. She had half a mind to walk out. She looked down at her doughy feet in the boring but Italian shoes. The buckles flashed gold at her, just like winking. Alvina smiled, sat, nestled her old pumps in the folds of tissue, and tapped the lid in place.
As she passed the fat girls, she waved to the closed box she'd left on the seat. "They weren't right for me."
Neither looked at her feet
. 


    Archives

    March 2018
    February 2018
    June 2016
    July 2015
    March 2015
    January 2013

    Categories

    All
    Craft Of Writing
    Fiction

    RSS Feed

©2020 Lynn Sloan
  • Home
  • Books
    • This Far Isn't Far Enough
    • Principles of Navigation
  • Media
  • Photographs
  • News
  • About