This Far Isn't Far Enough: An Interview with Lynn Sloan
We met at a faculty retreat, Lynn Sloan and I, quite a number of years ago. Lynn taught photography at Columbia College Chicago, where I teach creative writing, and I still remember her speaking about the potential for narrative in series of photographs. (I wonder if she really did talk about that, or if I have revised that memory in order to encapsulate both her evocative photographic images and her deeply engaging fiction?) Our paths cross often in Chicago, this remarkable literary city, and each time we meet, I am reminded of her kindness and curiosity, two traits a writer of any merit should have, I think.
We had the chance to talk story a bit, on the eve of the release of Lynn’s new short story collection, This Far Isn’t Far Enough from Fomite Press. These stories—full of “powerful yearning” (her phrase, not mine, although I wish I could claim it)—are so smart and so masterfully crafted, it was delight to hear her talk about how they came to be.
Patty McNair: Your stories are populated with characters we readers feel we might know. They could be our neighbors, our colleagues, a friend of our mother, a customer, a family member. These are people engaged in the daily business of their lives, but often at a moment when a choice must be made, an action taken. And therein blooms the drama. I wonder, Lynn, what comes first for you? Character or dramatic moment?
Lynn Sloan: I suppose that it’s dramatic moment, in this sense: what comes first for me is a question: Why?
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