Thrilled that my story "Ollie's Back" from This Far Isn't Far Enough had been chosen by Selected Shorts for its program "A Feast of Fiction," at the Getty Center in Los Angeles, I waited outside the auditorium for the show to begin. Mine was the last story and it was to be read by the outstanding actor Nate Cordrry. On that stage Nate Cordrry became Ollie, and he brought down the house. In a few months this program will be broadcast on NPR's Selected Shorts and available in podcast.
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"Ollie's Back" from my story collection, THIS FAR ISN'T FAR ENOUGH at the J. Paul Getty Museum in Los Angeles, March 24, 2018
This Far Isn't Far Enough: An Interview with Lynn Sloan
We met at a faculty retreat, Lynn Sloan and I, quite a number of years ago. Lynn taught photography at Columbia College Chicago, where I teach creative writing, and I still remember her speaking about the potential for narrative in series of photographs. (I wonder if she really did talk about that, or if I have revised that memory in order to encapsulate both her evocative photographic images and her deeply engaging fiction?) Our paths cross often in Chicago, this remarkable literary city, and each time we meet, I am reminded of her kindness and curiosity, two traits a writer of any merit should have, I think.
We had the chance to talk story a bit, on the eve of the release of Lynn’s new short story collection, This Far Isn’t Far Enough from Fomite Press. These stories—full of “powerful yearning” (her phrase, not mine, although I wish I could claim it)—are so smart and so masterfully crafted, it was delight to hear her talk about how they came to be.
Patty McNair: Your stories are populated with characters we readers feel we might know. They could be our neighbors, our colleagues, a friend of our mother, a customer, a family member. These are people engaged in the daily business of their lives, but often at a moment when a choice must be made, an action taken. And therein blooms the drama. I wonder, Lynn, what comes first for you? Character or dramatic moment?
Lynn Sloan: I suppose that it’s dramatic moment, in this sense: what comes first for me is a question: Why?
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Downsizing a personal collection of books is not an easy feat for a booklover. More accuractely, it is probably a task that most booklovers procrastinate at or avoid at all costs! Just the thought of removing books from my shelves to place into storage bins gives me anxiety... let alone contemplating CULLING any.
Today, we welcome Lynn Sloan, author of the recently released This Far Isn't Far Enough, to the blog as she shares her recent experience with doing just such a thing. To read click:
Thanks to Women & Children First Bookstore for hosting a spectacular evening for the book launch of my story collection, This Far Isn't Far Enough. Thanks to the terrific booksellers who made everything flow smoothly, thanks to my friends, old and new, and those I didn’t know, to everyone who came to listen to me read. An SRO crowd and all books sold. Thank you to Sarah Hollenbeck and Lynn Mooney, the generous, savvy, and wise ones who are behind all the success of Women & Children First. Thank you.
Grief is not the exclusive province of death and dying in Lynn Sloan's poignant short story collection This Far Isn't Far Enough. Rather, we experience loss, deeply, in the many ordinary gaps and failures of our lives, over and over again.
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To read click here.
To read more of Small Press Picks review of This Far Isn't Far Enough click.
I am grateful to Hallie Koontz for her in-depth and generous review.
To read the entire review click here.
I am thrilled with Susan Schoch's generous review of This Far Isn’t Far Enough that appears in
Story Circle Book Reviews.
“Sloan uses the language with care and creativity. In the small worlds created by the limits of short fiction, This Far Isn't Far Enough offers realities that are recognizable, yet the outcomes are not predictable. The book leaves a flavor that lingers--not sweetness, but the mineral clarity of a deep well. It's a satisfying swig of human longing and learning.”
To read the Susan Schoch’s review click.